CARCASSI ETUDE 7 PDF

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The first section of the piece from measure 1 — 8 is one long phrase that can be divided into two equal four bar phrases and Leave A Comment Cancel reply Comment. Because it is almost all 16th notes, I placed the right-hand fingering p a m i above the notes, and the left-hand fingering 1 2 3 4 below the notes.

Right Hand Fingering This is an arpeggio study, and is a gentle preparation for learning how to play the tremelo on guitar, the technique used in pieces such as Tarrega’s famous Recuerdos de la Alhambra. Also, once a fingering is notated, I don’t notate it again if it is repeated. Sometimes the bass has the melody which is most often played by the thumb and sometimes the melody is in the upper voice played by ami.

Carcassi Study in A minor Op. 60 no. 7 sheet music for Guitar download free in PDF or MIDI

In general I would recommend using pami as indicated in the score and for the arpeggios, use either pimi, or piai. The second section bar 9 onwards starts in the relative major key, C major, and makes its way back to A minor by the end of the piece. We use cookies on this site to enhance your user experience By clicking any link on this page you are giving your consent for us to set cookies.

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Also it is important to give all of the bass notes their full duration throughout the piece. Your download has started. Etudf study was one of my all time favorites when I was a young whipper snapper.

OK, I agree No, give me more info.

Carcassi Etude 7 Op Lesson | Classical Guitar Corner

But because the following 3 higher notes now vary rather than repeat the same note three times, etudw suggested right hand fingering is: Go Pro Upload Log In. There are not too many demands on the left hand in this study, as it is predominantly a right hand study. Save my name, email, and website in this browser for the next time I comment.

Link to this page Embed on your site. However, this study lends itself to strengthening the very common pami movement in rtude right hand. Originally, the repeated notes found throughout the study were meant to be played by i and m which would create groups of pimi, pimi etc.

Pages 2 Duration Some of the left-hand fingerings are unconventional, but when I was young I played lots of folk music, and these are the fingerings I used for chords, thus I could find them quicker. To print parts, please upgrade to a Pro account first. The bass notes are played open for A, 3rd finger for C, 4th finger for F and 1st finger for E.

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Follow to get notified when DouglasRThompson has uploaded new scores. Start slow and try to get the right hand working evenly.

Carcassi Study in A minor Op. 60 no. 7

Want to give something back? I omit all zeroes for open strings.

There is actually no point to it. Uploaded on Dec 23, In carcasei 1, 5, 9,21, 25 and 26 we have groups of four semiquavers with the first note note played by the thumb stems down followed by the same higher note played three times by the fingers. On the repeat of the second half, try and come up with some of etyde own ideas on how to vary things with dynamics, and articulation. The piece is primarily in the key of A minor.

Intermediate Lesson — Carcassi Etude 7 Op. The right hand fingering for each four note group in these bars is p a m ithe fingering used for a tremelo. I hope this lesson was helpful to you, and I hope you enjoy working on the piece.

I have added in several of my own dynamics on the score as well as a tone color change at measure